Ling 600.01 Phonetic Theory, Au 2008
This course is a graduate-level introduction to phonetics.
It is an overview of phonetic representations and theories, starting
from the basics of the acoustic theory of speech production and extending
through recent accounts of prosodic structure and its relationship to the
realization of vowels and consonants. A major component of the coursework
is a set of exercises, with data gathering and/or analysis outside of the
classroom and an associated in-class lab assignment. This component is
intended to fulfill the main function of the course, which is to provide
the background for further work in phonetics and laboratory phonology.
A second component is a small field project, with incremental field project
reports geared to the topics covered in the class. Most of the field project
reports also have one or two associated in-class lab assignments using data
recorded in collaboration with the field project language consultant, so
that this component of the coursework relates the phonetic theories and
representations reviewed in class to the classical phonological model of
distinctive features and allophonic variation embodied in the
International Phonetic Alphabet. Thus, this component covers some of the
background for courses in field methods and phonological theory by providing
the opportunity to exercise transcription skills in conjunction with other
methods of observation in working with a language consultant. However,
this coverage assumes a basic familiarity with the IPA model and its
relationship to subsequent phonological theory. A student who wants
a more thorough, basic introduction to classical phonemics and the IPA
should enroll instead in Linguistics 500.
Call number: 12774-3
Class meeting times and location:
Tuesdays & Thursday 9:30-11:18a.m., in Derby 029
Instructor:
Mary E. Beckman,
room 21 Oxley, 292-9752, mbeckman at ling dot osu dot edu
Office hours:Tuesdays at 1:00 and by appointment
A full and detailed syllabus is available here
in pdf format. You should refer to this time table from the last page of
the syllable for due dates for assignments associated with the topics that we
will cover in the following sequence:
- (Weeks 1 & 2) — Introduction to sound and "sounds" (issues of
discretization and segmentation). Types of acoustic signals,
and the alternation of major class features.
- (Week 3) —
discretization and segmentation). Some basics of
signal analysis. The voice source (periodicity and pitch).
- (Weeks 4 & 5) — The vowel space. Acoustic theory of speech production.
Calculating resonance frequencies of a simple tube. LPC analysis.
Psychoacoustics of timbre.
- (Week 6) — Acoustics of fricatives. Quantal theory and fricative
inventories.
- (Weeks 7 & 8) — Assessing perceptual categories and measuring perceptual distance.
- (Week 9) — Acoustics of plosive consonants.
- (Week 10) — Phonation type contrasts on obstruents.
Positional effects.
- (Week 11) — Constrictions coupled in parallel and in series.
The acoustics of nasals and laterals and of various types of "secondary" articulation.
There are three sets of materials associated with this course.
- A Laboratory Course in Phonology. By Mary E. Beckman and
Janet B. Pierrehumbert.
Blackwell (to appear).
This set consists of extracts from a textbook that is in preparation, including
recordings and other copyrighted material, which will be made available incrementally
on a hidden web site, which I can reveal to you when you have agreed to certain
conditions on use which are designed to protect the privacy of the talkers who
contributed the materials. There are also instructions
specific to this course that are linked into this page as part of the next set
of materials.
- Phonetic Theory — Course Project and Lab Assignments. 2006 edition,
online course materials.
This set is all of the other documents that are linked into this course web page
which describe the field project reports that are due at
various stages of the fieldwork,
provide instructions for the take-home
lab exercises , and specify the materials to prepare for
the in-class lab assignments associated
with the course project reports and take-home.
There is also a document that gives more general
instructions for the course project and in-class labs. This document
includes the IPA chart and useful hints for working with a language consultant,
as well as suggestions about how to find a language consultant. You should
consult this section immediately.
- Acoustic and Auditory Phonetics. 2nd edition.
By Keith Johnson
(2003, Blackwell).
This is a textbook on sale at the main campus bookstore and other similar outlets.
(Be sure to get the 2nd edition, which has substantial added sections
on perception which we will be use in this class.)
The background reading that is assigned for each topic is from this book, and it
must be done before the beginning of the class in which we begin a topic so that
you can ask questions about any passage you do not understand.
If you do not ask questions, I will assume that you understand the concepts
in the book well enough to apply them in doing the labs, take-home exercises,
and field project report.
General information about course project and in-class labs
A general description of the course project and lab assignments
is available here. This pdf document
also includes the IPA chart and a useful list of words to start with
in eliciting forms from your language consultant. Read this document
before the first in-class lab session, in order to know how to prepare.
Here are links to descriptions of the materials and questions for
the ten in-class lab assignments. And here is a link to
the list of Field Project Languages
that we will be covering in Labs 2, 5, etc.
- Lab 1 -- Basic acoustics
- Lab 2 -- Calculating fundamental frequency
- Lab 3 -- Estimating the length of the vocal tract
- Lab 4 -- Measuring formants in English vowels
- Lab 5 -- Vowels of the field project language
- Lab 6 -- Judging perceptual distances
- Lab 7 -- Fricatives of the field project language
- Lab 8 -- Plosives of the field project language
- Lab 9 -- Phonation type contrasts in the field project language
- Lab 10 -- Nasals, laterals, etc., in the field project language
Here are links to the instructions for the five field project reports.
(If there is no title or document at the link, that means that the
exercise is still in preparation.
If there is a title and link, but the date at the top of the
document is 2006, that means that the instructions for that
exercise have not been updated yet for the 2007 edition,
and you should not use the instructions yet.)
- Exercise 1
-- "Major class features" (a segmentation exercise)
- Exercise 2 -- "Rugao tone patterns"
(an exercise on the semantics of tone and the syntax of tonal groups)
- Exercise 3 -- "Method of Adjustment"
(an exercise on the perceptual vowel space).
A directory containing
the Table files of results from the experiment in class and figures
showing various composit views.
- Exercise 4 -- "MDS on Mandarin voiceless fricatives"
A directory containing the experimental stimuli,
the Table files of results from the experiment in class, and various
figures and scripts.
- Exercise 5 -- "Korean stops"
(an exercise on various acoustic cues to plosive phonation type contrasts).
-
You can download Praat off the Web.
Here is a link to
the praat scripts that we write in class
together.
-
Here is the homepage to go to in order to get
R, the "GNU S" software
package for statistical analysis and graphics.
Here is a link to
the R scripts that we write in class
together.
-
You can download WaveSurfer
off the web, too.
WaveSurfer is based on snack,
the "sound toolkit" that is now incorporated as a standard package within
tcl/tk, which you can download from
several places, including the
ActiveState
ActiveTcl page.
(On this page, click on the link for
Get Active Tcl
under the little drawing of the frog in the blue window,
and proceed from there.)
You will need tcl/tk if you decide to set up your
computer to run the "Method of Adjustment" experiment for Exercise 2
at home.
-
Here is a link to the tcl/tk code for the
Method of Adjustment
paradigm that we will use in one of the
take-home lab exercises.
-
Sound files and video clips that accompany the late Peter Ladefoged's books
Vowels and Consonants and A Course in Phonetics
are available at the
UCLA Phonetics Lab Archive.
-
Sound files and various demos for Phil Hoole's
Einfuehrung in die Phonetik I und II are linked into
this part
of his courses web page.
-
The home page for the
International
Phonetic Association also has a good deal of useful material,
including an archive of recordings that go with the "language illustrations"
in the Handbook of the International Phonetic Association.
-
If you're looking to embed IPA fonts in an html document,
check out John Well's page on
the
IPA in Unicode.
-
If you're looking for a way to include IPA fonts in a LaTeX
document, you can use the tipa font.
Here is a link to Matt Makashay's cheat sheet on the
textipa font, described in
this how-to file.
-
If you want to label audio files for your field project report
in the IPA but don't want to bother with the issues of how to
embed an IPA font into a TextGrid file, you might want to look
at the coventions for "transliterating" IPA symbols into the ASCII
symbol described on
the SAMPA home page.
Alternatively, you might want to use
WorldBet,
which is what we are using to transcribe the children and adults
participants in the paidologos
project -- a cross-language study of phonological acquisition.
-
Here is a link to the UCLA Phonetics Lab Software web page,
where you can download the
UPSID-PC
database program, if you're interested in looking at
the range of phoneme inventories that were described for the 451 languages
in Ian Maddison's UPSID database in 1990.
And here is a link to Jeff Mielke's
P-base
database of sound patterns.
-
The home page for the ToBI framework
for developing prosodic annotation tools links you to descriptions of
prosodic systems for various languages, including
Korean,
Japanese
(for which, see also the
X-JToBI
conventions that extend the system to phenomena observed in spontaneous
speech by researchers working on the Corpus of Spontaneous Japanese),
Mandarin Chinese,
Cantonese,
Greek,
German,
and English.
-
If you want to make recordings in the sound booth in Oxley room 06,
talk with the instructor.
Copyright © 2008 Mary E. Beckman, Linguistics, Ohio State University